![]() Visiting Harry Gregson-Williams was no exception. Jane Carter, president of Universal Production Music, added, “It’s always a privilege to spend time with a composer in their studio and listen to their music. head of production at Universal Production Music, said, “To have access to that experience and build a label together that showcases Harry’s talents and delivers us exceptional music for our clients is a huge coup for us and highlights our strategy of working with the absolute best in the business.” He signed an exclusive global administration deal with the production music unit’s parent company, Universal Music Publishing Group (UMPG), in 2019. The joint venture also furthers the relationship with Gregson-Williams and Universal Music. “Making my music available in this way – beyond the boundaries of the specific film and television score commissions I’m doing – seems like a wonderful opportunity and a natural extension to my work.” That's fair too those starting out probably stand to gain the most from it.“I’m extremely happy to be partnering with Universal Production Music on the creation of this new music label,” the composer said. The contest seems to be aimed at composers who are at the start of their career, given the published track limit. I appreciate that VSL leveled the playing field by requiring their own instruments. ![]() Cavendish Music / Imagem / Ole / Boosey & Hawkes You can only enter this contest if you do not have, or have never had, a total of more than 10 of your tracks represented within, or across, any of the following catalogs: Once released in the fall of 2023, the music will be available as library music with distributors throughout the world, including APM Music, BAM, BMG, Upright Music and Warner Chappell Production Music. All six tracks will then be recorded at Synchron Stage Vienna, with 2FM creative director Daryl Griffith conducting the Synchron Stage Orchestra. The winner of the Vienna Composer Contest will sign a contract with 2nd Foundation Music and, with guidance from the label, go on to write a further five tracks to create a well-balanced, marketable EP. This will be a valuable opportunity to refine your craft, and give you further insight into the process of writing for library music. At this stage you’ll work closely with the label to hone your track. You will write an entirely new, full-length track to a detailed brief by 2nd Foundation Music. Three finalists will go through to the third and final round and each will win a complete Synchron Package, worth more than €9,000. You will receive professional feedback and advice from the label on your initial upload, and you’ll be able to submit a second draft from these notes. Your uploaded files will be anonymized automatically so the jury members can’t identify the creator.Įntries will be judged by a panel consisting of staff members and composers of Vienna Symphonic Library and 2nd Foundation Music, among them Herb Tucmandl, Martin Tichy, Guy Bacos, Daryl Griffith, Bradley Farmer, and Rhiannon Hitt.Įach of the 12 composers who will move on to the second round will receive Vienna Vouchers worth €500! In this round you will write a one minute piece of music to a brief by 2nd Foundation Music using a temporary license of the Synchron Prime Edition. As soon as it’s uploaded, you won’t be able to remove or to replace it. Project must be based on MIDI, don’t include any audio files here.) Required: zipped DAW project file (e.g, Logic, Cubase, Pro Tools, Studio One, Sibelius, Finale, Dorico, etc. 192 kB/s, based on 48 kHz/24 bit project, no metadata) Upload your files on this page before March 31, 12 pm/24:00 CET: Only one composition per participant is allowed. No additional effect plug-ins are allowed, but you can use the internal effects and capabilities of the Vienna Synchron Player to the full extent. We’re listening out for musicality, creativity and originality. Show us what you’ve got and write 30 seconds of your best work, only using the sounds of our HELLO Free Instruments. The Vienna Composer Contest is held in three rounds: There is no age limit, and you will work with our HELLO Free Instruments or demo licenses, so there’s no requirement to purchase any product. "This competition is open to all composers looking to break into the world of library music, and whose work isn’t already available through mainstream distributors (see full list below).
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